Badlands

In the magnificent Badlands of South Dakota, a seemingly ‘bad’ land is revealed to be teeming with life, buried histories, and restorative futures.

Period
2021–present
Status
In Production
Form
Feature documentary · approximately 90 minutes

The project

Badlands is a feature documentary set in the dramatic Badlands of western South Dakota. Sculpted by erosion, militarization, dispossession, and preservation, the Badlands holds a storied and largely unknown past. This singular landscape provides an extraordinary lens into the histories and politics that have shaped the North American landscape. Guided by Lakota ethnobotanist Richard T. Sherman’s ‘Indigenous Stewardship Model’ the film weaves together a multiplicity of perspectives in order to explore how different ways of knowing can work together toward environmental justice. Centering the land, the film visits with a wide array of humans and non-humans including ecologists, tribal members, paleontologists, ranchers, military historians, tourists, foragers, rangers, rocks, flora, and fauna. These intertwine to create a deeply layered portrait of place across vast scales that poetically yet urgently reckons with how to foster interdependent and accountable relationships between inhabitants of all landscapes.

Field notes

We arrived in Badlands National Park in 2021 as artists in residence. We’ve since spent over six months filming and collaborating with participants, letting the story emerge through relationships rather than preconceived ideas, while people and places are centered as guides. The documentary is part of an ecosystem of formats that are designed to iteratively contribute to one another, including a live-edited performance, an interactive installation, an artful video game, and collaborative publications.

My role

I am co-creating this project as part of the larger Topography project. My work includes using real-world data to create a speculative landscape that will punctuate the film. I'm designing an ever-changing landscape in a game engine populated with documentary material. It's built from 3D scans captured on site, and documentary material, including novel walking interviews with people from the area who share histories, observations, insights, and memories.

Supported by

Selected credits

Hannah Jayanti
Director / Producer / Cinematographer / Editor / Sound
Alexander Porter
Co-Director / Producer / Virtual Cinematographer
Keith Wilson
Producer
Richard T. Sherman
Consulting Producer
Delfina Vincenti
Associate Producer
Juan Pedro Agurcia
Associate Producer
Michele Graffieti
Designer

Links & presentations